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Trainees learned to identify the department’s fixed and mobile sound equipment, with the basic knowledge, applications and best practice for each item.

Training dates: 1 June 2021

Training overview

The session worked through the department’s equipment by category, covering what each item is, where it is used and how to handle it.

  • Loudspeakers: the Meyer Sound main PA, mobile loudspeakers and stage monitors, Genelec and Adam studio monitors
  • Mixers: Avid S6L (console, engine and rack), Midas Venice and Midas MR32
  • Processing: Klark Teknik DN360 and DN370 graphic EQs, DN514 noise gate, DN540 compressor, and Eventide Eclipse and Lexicon PCM-96 effects units
  • Headphones and in-ear monitoring: AKG K141, Sennheiser HD650, HD25 and IE8, Shure SE425, wired IEMs (Behringer Powerplay, Shure P9HW) and Shure PSM1000 wireless IEMs
  • Wireless microphones (Shure Axient, Sennheiser 9000 and 5000), microphones from AKG, Audix, Bartlett and Beyerdynamic, and BSS and Radial DI boxes

Training milestones

  • Main PA, monitoring and studio loudspeakers identified
  • Analogue and digital mixers, EQs, dynamics and effects units identified
  • RF microphone and in-ear monitoring systems identified

Next steps

The remaining effects units and the rest of the microphone stock were covered in follow-up sessions.

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Author: Bruno Silva

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