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A practical course on mixing monitors from the Avid S6L, tuning stage monitors, and the audio fundamentals behind phase, time and polarity.

Training dates: 2 to 3 June 2021

Training overview

The sessions focused on the monitor engineer’s role, using the S6L and the department’s stage monitors.

  • Operating the Avid S6L for monitor mixing
  • Tuning Meyer Sound UM and MJF stage monitors
  • Graphic and parametric EQ, used in parallel and in series
  • Mono and stereo, with an introduction to correlation: phase, time and polarity
  • Dynamic and condenser microphones compared
  • EQ, Q factor, shelving Q, HPF, LPF and sweep techniques

Training milestones

  • Monitor mixes built on the S6L
  • Stage monitors tuned with graphic and parametric EQ
  • Phase, time and polarity understood in practice

Next steps

Staff will mix monitors for rehearsals under supervision, building towards running monitors for a production.

Author: Pedro Banha

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