A practical course on mixing monitors from the Avid S6L, tuning stage monitors, and the audio fundamentals behind phase, time and polarity.
Training dates: 2 to 3 June 2021
Training overview
The sessions focused on the monitor engineer’s role, using the S6L and the department’s stage monitors.
- Operating the Avid S6L for monitor mixing
- Tuning Meyer Sound UM and MJF stage monitors
- Graphic and parametric EQ, used in parallel and in series
- Mono and stereo, with an introduction to correlation: phase, time and polarity
- Dynamic and condenser microphones compared
- EQ, Q factor, shelving Q, HPF, LPF and sweep techniques
Training milestones
- Monitor mixes built on the S6L
- Stage monitors tuned with graphic and parametric EQ
- Phase, time and polarity understood in practice
Next steps
Staff will mix monitors for rehearsals under supervision, building towards running monitors for a production.